Girl Obsession 2

Girl Obsession 2

Girl Obsession 2. Breakthru: The flirtation begins on a train speeding through an urban landscape – hands gently touching, fingers entwined, a shared glance, words whispered in an ear, a smile spreading in anticipation. Next, silence. Two hearts beating. The rush and bustle of the train has been replaced by the peace, quiet, and serenity of a secure and secluded space. Now the flirtation can take wing, and the dance of love begins in earnest. Italy’s Alis Locanta has imbued his latest creation for SexArt with an extra bit of his signature style but he keeps the natural interaction of his player’s front and center. And the stars of “Breakthru,” blonde and fair-skinned Cayenne Klein and bronzed, raven-tressed Bailey (making her SexArt debut), go about their love making as if they were alone in their own private world, and aroused by the touch, feel, taste, and scent of each other, with one ardent mutual desire, to “Breakthru” to ever higher levels of passion and unbridled orgasmic delight.. Pour Toi Mon Amour: French is well known as the language of love, and Italy’s Alis Locanta has embellished his latest erotic opus with a distinctly Gallic flavor. “Pour Toi Mon Amour” means “for you my love” in English, he’s chosen French-flavored music for his sound track, and in another clever touch the auteur presents the film’s credits in the language, as well. One needn’t speak or comprehend French to understand “Pour Toi Mon Amour,” however. From the moment Nataly Von and Tiffany Doll share their first kiss they are speaking a universal language: Lust. At first they express that ardor with tender caresses, probing fingers, and adventurous tongues, but Tiffany ups the erotic ante by bringing Nataly to orgasm with the assistance of a thick, translucent pink, phallus. With the afterglow still visible on her face, Von then employs the toy on Ms. Doll with similarly orgasmic results. By turns tender and torrid, “Pour Toi Mon Amour”.. Purple Touch: Director Don Caravaggio’s “Purple Touch” begins in black and white, a stylish and playful visual pun. Although the film shifts to full color after the opening credits have rolled, it will take some time before the meaning of the title becomes clear, but that is time well spent. MetArt Network exclusive supermodel Lorena B headlines this heated lesbian duet and her costar, making her second appearance in a SexArt production, is Czech beauty Tracy Lindsay. Lorena B puts on a highly erotic performance in the shower with Tracy as an appreciative spectator. The action then moves to a staircase that provides Lorena with unimpeded access to Tracy’s beautiful wet pussy. After a ravenous session of eye-opening oralism the lovers trade places and Tracy savors Lorena’s sex at some length. Powerfully – but temporarily – satisfied, the twosome next move to a bed and the two-headed translucent sex toy that gives the film its title is revealed. Both pussies get probed individually with enthusiasm and intensity before the stunning beauties make the ultimate connection and ride the dildo to the heights of simultaneous orgasmic delight.. The Road Goes On: Italy’s Alis Locanta begins his latest SexArt creation, “The Road Goes On,” with a sequence featuring his two stars in a series of public places – a train station, the backseat of a car, and strolling through a bustling city center. Despite the casual, spontaneous nature of this introductory footage, it becomes immediately apparent that there’s a strong undercurrent of erotic attraction between these two beautiful women – but even the very public kiss Whitney Conroy and Frida share on a crowded thoroughfare only hints at the depth and breadth of that attraction. Locanta lets his performers set the pace, and once they’re alone their playful flirtation blossoms into a powerful and mutual sexual yearning. Set in three distinctly different locations in a sophisticated and elegant home, “The Road Goes On,” flows from one orgasmic highlight to the next to create a journey into exquisitely beautiful lesbian erotica and romance. Once you’ve entered the world of “The Road Goes On” you’ll never want it to end.. Scene 5: White Secret: The face we present to the public, and the way we behave in society or in the workplace, isn’t necessarily an accurate reflection of who we really are, or what we actually desire. This fundamental truth provides the subtle background against which director Alis Locanta’s “White Secret” unfolds. The outside world feels far away and their public personalities are a distant memory as Kitty Jane and Mia Knox meet to share their most private and passionate desires. As the clandestine lovers caress and kiss, Locanta’s camera joins them behind the locked doors of the boudoir and moves easily across and under the soft sheets to capture both the romantic intimacy and the feverish passion that binds them together. Ranging from sweet, innocent, and intimate, to boldly and brazenly explicit, this is lovemaking that knows no bounds – woman to woman, uninhibited, and ravenous. Leave the outside world behind and enter the private realm of “White Secret,” it’s a place you’ll never want to leave and won’t soon forget..